Environment, words, calligraphy, celestial movements, time, symbols, history, music, elemental energy are some of the many influences on my artwork.While it may appear that I am simply an abstract painter using letterforms, there are meanings beneath the surface. I don’t offer simple explanations for my markings; understanding often must be intuited. Titles are very important in entering the world of my paintings, as they provide a key to my imagery and is related to the main theme.

I have always been interested in graffiti, as well as Asian art and medieval manuscripts. I think that graffiti is especially important as a driver in new forms of abstract art like the African music rhythms that influenced jazz and rock music in the last century. Numbers as mathematics, or as symbols are also part of my language.

While often illegible, word forms as image are indeed the primary vehicle of my art. I use words and letters to form marks and symbols, adding layers to create history and depth of imagery.

My art is influenced by my history. I was a bookbinder and then a book artist for about thirty years, printmaking, and painting at the same time. My techniques are inspired by my experience with paper, cutting accurately, mono-printing, collagraphs, calligraphy, and paste painting.I now use acrylic as the main medium, but often start with paper which is attached to the panel as the first layer. Many layers of paint and imagery are required for the results. The first layers are covered up, but never fully hidden. My process is largely additive, but sometimes subtractive.Finally, I use many layers of thin acrylic to create a smooth surface which helps illuminate the imagery.

I use many different brushes and tools, often using Asian brushes. I started out about twelve years ago using western letter forms, but those have become simplified or gone altogether and replaced by more universal forms and marks based on Asian forms of writing.I use a brush backwards and up and down quite frequently. I use variations on many alphabets and am a student of paleography and development of letterforms.

1981Certificate (BFA equiv), Croydon College of Art, Croydon, England

1977Certificate in Printmaking, Croydon College of Art, Croydon, England

1975BA, Barnard College, Columbia University, New York, NY

2020Laura Wait & Tina Mion, galleryFRITZ, Santa Fe, NM

 Hunter Kirkland Contemporary, Santa Fe, NM

, Letter Arts Review,Vol. 33, No 3, Fall 2019

Artist Thrives by Creating Mystifying Symbols” Steamboat 

Authentic Visual Voices:Contemporary Paper and Encaustic

, Letter Arts Review, Vol. 24, No 4, Fall

Laura Wait toys with shapes, meaning of letters ….show”

Gallery MAR

Lightning Crossing II

Mixed Media

Artist: Laura Wait

Title: Lightning Crossing II

Medium: Mixed Media

Size: 12" x 12"

Price: $1,450

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